Lot 113
  • 113

John Duncan Fergusson

Estimate
30,000 - 50,000 GBP
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Description

  • John Duncan Fergusson R.B.A.
  • the alhambra, leicester square, evening
  • oil on panel
  • 24 by 18.5 cm.; 9½ by 7½ in.
inscribed on a label attached to the backboard: The Alhambra, Leicester Square/ Evening.

Provenance

Mrs. Margaret Morris Fergusson, Glasgow

Exhibited

London, Baillie Gallery, Some Modern Painters, October 1908, no.35;
The Arts Council of Great Britain (Scottish Committee), J.D. Fergusson Memorial Exhibition, 1961-1962, no.15

Condition

The panel is sound. The surface is slightly dirty but is in otherwise good overall condition with areas of strong impasto. Ultraviolet light reveals a few flecked retouchings in all four corners. Held under glass in a painted wood frame; unexamined out of frame. Please telephone the department on 020 7293 6132 if you have any questions regarding the present work.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

First exhibited at John Baillie's gallery in London in 1908, The Alhambra probably dates from that year or the previous when Fergusson was living in Paris but made sporadic visits to London. Fergusson had always been fascinated by music halls, their performers and audiences and when he was a young man his parents had been worried about rumours that he had been seen at Edinburgh Music Hall, reputedly the haunt of women of loose morals and alcoholics. 'They need not have worried for Fergus never did anything that could interfere with his progress as a painter... Fergus always said the Music Hall gave him his first serious training in art and life and he did innumerable sketches of all the stars of the day... Besides the performers, the audience provided interesting material to sketch. The women who strolled around in the intervals were all of easy virtue and beautifully made-up. They wore exaggerated fashions in vivid colours, with huge hats gay with ribbons and flowers.'  (Margaret Morris, The Art of J.D. Fergusson, A Biased Biography, 1974, pp.30-31) The present picture is similar to the street scenes painted by Fergusson in Paris with rich Impressionistic impasto capturing the glimmering lights of early evening and the joie de vie of one of the most lively cities in the world. A couple dressed in evening-wear approach the front entrance to the Alhambra Theatre through the gardens of Leicester Square.

The Alhambra music hall stood on the east side of Leicester Square until 1936 when it was demolished and replaced by the Odeon cinema. In its heyday it was one of the busiest and most beautiful theatres in the west-end, built in a pseudo-Moroccan style in the 1880s.