Lot 71
  • 71

John Duncan Fergusson R.B.A.

Estimate
80,000 - 120,000 GBP
bidding is closed

Description

  • John Duncan Fergusson R.B.A.
  • At the Bathing Place, Margaret (Meg) Morris, Antibes
  • signed on the reverse J.D. FERGUSSON
  • oil on canvas
  • 56 by 61 cm.; 22 x 24 in.

Provenance

Private Collection, London;
Ewan Mundy Fine Art;
Private Collection

Condition

The original canvas is sound. Paint surface is in exccelend condition throughout and is clean and ready to hang. Ultraviolet light reveals no visible sign of retouching. The work is held in a plaster gilt frame in fair condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The sitter in this portrait is Margaret Morris, whom Fergusson first met in 1913 who later became his wife. Bohemian by nature, she led a colourful life devoted to dance and theatre and is noted for founding the Margaret Morris Movement. In 1915 she set up a club in Chelsea to replicate Parisian café culture. It attracted an amazingly varied collection of painters, writers and musicians including Augustus John, Jacob Epstein, Wyndham Lewis, Katherine Mansfield and Ezra Pound.

 

In her biography, The Art of J. D. Fergusson, Morris writes how she and Fergusson often visited France and spent summers in its coastal regions. The backdrop of the present painting is the southern town of Antibes. On a clear warm day, Morris wears a hat indicative of her flamboyant style. Fergusson paints her sensitively and heightens her modelled features. The warm, tonal palette and expressive brushwork combine effectively to evoke Morris' graceful but spirited nature.