A JADEITE SNUFF BOTTLE

well hollowed, of flattened ovoid form with a cylindrical neck and concave mouth rim, resting on an oval recessed foot, beautifully carved in low relief on each face with a central panel comprising an archaistic taotie mask, below a formalized foliate motif, above a band of lappets and raised bosses, the shoulders set with animal masks suspending mock ring handles, above a vajra-shaped motif on each side, the stone of an even apple-green color with very faint snowy inclusions

Hugh Moss (HK) Ltd.

The bottle is in excellent condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The attribution to the Palace Workshops is based upon the design of the present bottle, which exactly echoes a group of highly imperial opaque yellow glass bottles from the Qianlong period, some of which have Palace reign marks, and most of which have either mask handles dividing the formalized design into two main sides, or occasionally deer, or other animal handles.

This design also appears on a red glass snuff bottle, formerly in The Collection of Bernice Straus Hasterlik, and sold in these rooms, 16th September 1996, lot 18. However, it rarely appears on any material other than glass, making this jadeite example very rare. The Crane Collection houses an example of the same design in carnelian and it is likely that they both would have been made in the same workshop contemporaneously (see www.thecranecollection.com, no. 234).