Armando

Galerie Collection d'Art, Amsterdam
Acquired directly from the above by Renilde Hammacher-van den Brande for the Peter Stuyvesant Collection in 1981

Eindhoven, Bijenkorf (& travellling), Kunst over de Drempel, 1985
Haarlem, Vishal, Armando, 1985
Arsac en Médoc, Château d'Arsac (& travelling), Aventure dans l'Art, Collection Peter Stuyvesant, 1989
Zevenaar, Turmac, 30 Jaar Peter Stuyvesant Collectie: Hommage à Spinoza, 1990
Amsterdam, Stedelijk Museum, Art Works: International Modern Art in the Industrial Working Environment, an Experiment over more than Thirty Years: Peter Stuyvesant Foundation, 1991-1992, p. 39, illustrated in colour 
Barcelona, Fondación Miró; Zaragoza, Palacio de la Lonja; Valencia, Museo de la Ciudad, El Arte Funciona, 1992
Sevilla, World EXPO '92, Art in the Factory, 1992, no. 5
Paris, École Nationale Supérieure des Beaux Arts, l'Art Actif, 1992
Amersfoort, Armando Museum, Exposition, 2000

Colours: The colours in the catalogue illustration are fairly accurate. Condition: This work is in good condition. Examination under ultraviolet light reveals retouches scattered throughout the whites in the background.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."