Drypoint printed in greyish black, 1914, one of only a few impressions before steel-facing and still with Robert Pilippi's Oriental Man Standing on the left, on heavy wove paper with a heliogravure print on the verso, framed
Schiele's print - Männliches Bildnis - was later separated from Phillippi's print and printed in an edition of 80 for the portfolio Das Graphische Werk von Egon Schiele, 1922
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