- 454
Ansel Adams
Estimate
15,000 - 25,000 USD
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Description
- Ansel Adams
- BARN AND RAILROAD TRACKS
- gelatin silver
mural-sized, flush-mounted, framed, 1936-60, probably printed in the 1960s
Condition
This print, on paper with a surface sheen, is in generally very good condition. Fingerprints are visible along the upper edge of the print. Upon close examination, the following are visible: small retouching in the upper right corner; a pin-point-sized loss of emulsion on a beam in the upper right quadrant; and a small scuff near the left edge of the print.
This photograph is in its original white frame, and is not glazed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Dating for this image is unclear. According to the Center for Creative Photography, Tucson, Adams himself ascribed three different dates to this image: 1936, 1958, and 1960.