Italian, Veneto, 17th century

Overall the condition of the mortar is good. There is overall wear and some dirt to the surface consistent with age and handling. There are several dents and nicks throughout, particularly around the upper rim and to the nose and chest of one of the handles. The patina of the tree in the laurel wreath is markedly different from the rest of the mortar.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The many bands, large acanthus leaves and laurel wreath that decorate the present mortar relate closely to the mortars by Bartolommeo de Pesenti illustrated by Avery (op.cit. nos. 13 and 14). Mortars and bells with variations of such foliate decoration were made throughout Northern Italy in the 16th and 17th centuries. Other exponents of the style include the De Levis and Bonaventurini foundries.

RELATED LITERATURE
C. Avery, 'A bronze founder and sculptor of the late sixteenth century. Giuseppe de Levis of Verona : New discoveries', Connoisseur, February 1977, pp. 115-21; P. Motture, Bells and mortars and related utensils. Catalogue of Italian bronzes in the Victoria and Albert Museum, London, 2001, pp. 96-193