The drapery that falls in intricate folds at the base of the group, the robust Christ Child and the intense oval faces of the Virgin and St. Anne all closely compare with work emanating from Tyrol, and in particular Innsbruck. Note also the treatment of St. Anne's veil, which is worn low down on the forehead.
Gotik in Tirol. Malerei und Plastik des Mittelalters, exh. cat. Tiroler Landesmuseum Ferdinandeum, Innsbruck, 1950, p. 33, no. 71; T. Müller, Gotische Skulptur in Tirol, Vienna, 1976, pp. 440-42, nos. 160-61, 164 and 175
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