Ludwig Guttenbrunn

Commissioned by Henry Greswold-Lewis in Rome;
Malvern Hall, Solihull;
Thence by descent.

The support consists of a single, flat stable, zinc panel. The paint surface is secure with fine craquelure throughout and under an old, thin varnish which has blanched somewhat. Inspection under UV light reveals some minor strenghthening to her left arm and right hand, and a handful of other tiny retouchings but the paint surface is otherwise in good original condition. Offered in an ornate carved gilt wood and plaster frame with some significant losses to the mouldings.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Henry Greswold Lewis spent four years in Italy from 1775-9. Records from this time describe Madame St Clair as his "chere ami" and refer to another portrait of her by Guttenbrunn done in Milan (possibly the painting offered as lot 233).  On his return to England Greswold Lewis continued his patronage of the arts employing Sir John Soane to remodel his country house, Malvern Hall, and developing a friendship with John Constable from whom he commissioned a number of family portraits, including his own.