Circle of Sebastiano Conca

The recent relining has somewhat flattened the paint surface. The paint surface is secure with some craquelure, and under a discoloured varnish. No major damages can be made out to the naked eye. Small paint losses can be made out, for example to the left of the flaming heart. UV light reveals scattered strengthenings to the edges; these are a little more concentrated in the right sleeve. Offered in a later wood and plaster frame with some losses to the corners.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The composition repeats Conca's original in the church of San Bartolomeo, Sora (see Sebastiano Conca, exh. cat., Gaeta 1981, p. 204, cat. no. 59, reproduced p. 205). We are grateful to Professor Giancarlo Sestieri for suggesting that the present work might have been carried out by one of Conca's Sicilian followers.