Gysbrecht Leytens

The support appears to consist of two horizontal panels although it is difficult to say with certainty due to the heavy cradling on the reverse. There is an old horizontal split upper right which is just visible on the front although the paint is still generally secure in this area. The paint surface is secure, although there are some minor areas of lifting along the margins, and in good condition with much remaining impasto. There are two old surfaces scratches lower centre as visible in the catalogue illustration. The paint surface has cracked along the panel join lower left. Inspection under UV light reveals some minor retouching along the crack and aforementioned split but little work elsewhere. Offered in a wooden frame with faux marble insets in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Leytens made numerous variations of this, his most successful compositional type, throughout his career. One such variation, without the homestead to the right and with fewer figures, was sold London, Christie's, 3 December 2008, lot 150. Another, more crowded at the left, but with the homestead and the figure in the foreground raising his axe, was exhibited at Saarbrücken and Rouen, Chefs-d'Oeuvres Oubliés, in June - September 1954.