- 725
Follower of Vincenzo Mannozzi
Estimate
8,000 - 12,000 USD
bidding is closed
Description
- Vincenzo Mannozzi
- Olimpia abandoned by Bireno
- oil on canvas
- 67 by 89 in.
- 170 by 226 cm
Condition
Canvas is lined. Areas of loss and abrasion throughout. (not examined under UV)
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
The subject is derived from Ariosto's epic poem Orlando Furioso (X.19-34), one of the favorite sources of Italian painters of the seicento. Olimpia, the "Countess of Holland," is abandoned by her husband Bireno while she sleeps, who sails off to sea. Her adventures became not only a subject for artists (in addition to Mannozzi, the sculptor Ferdinando Tacca and others) as well as a number of composers and librettists.
The present work repeats the composition of a painting attributed to Mannozzi (but possibly by a follower) in the collection of the Uffizi, Florence.