After Michelangelo Merisi da Caravaggio

In generally good condition. The canvas is lined. Some abrasion to the edges, associated paint loss at top left edge. Craquelure throughout. UV: Surface somewhat difficult to read due to varnish, possible inpainting to address craquelure visible in bottom left quadrant.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The present composition is known in a few versions, the prime example of which appears to be that in the High Museum of Art, Atlanta, Georgia (see A. Moir, Caravaggio and his Copyists, New York, p. 116, no. 103 and J. Spike, Caravaggio, 2001, no. 80).  While some scholars have considered this a reflection of a lost work by the artist, others consider it rather an interpretation of early works by Caravaggio.