A pair of French gilt-bronze-mounted biscuit porcelain candelabra in Louis XVI style, second quarter 19th century

each in the form of a baluster vase issuing four candlearms in the form of roses and carnations, the body of each vase mounted with a relief tablet depicting putti emblematic of Astronomy and Geography, the socle above a stepped, moulded square base with inverted corners

In overall very good original condition. A most attractive model. Colour of gilding more golden and biscuit porcelain slightly warmer in colour and more attractive than in the catalogue photograph. The candlebranches are loose and would benefit from tightening up. Two carnation heads on one are of a slightly darker colour than the rest. Some very minor wear to the gilding on the panel of one with the globe on the drapery and a cherub. The other candelabrum has a minor restoration to the rim of the vase but this has been well executed and is hardly noticeable.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Extremely similar putto reliefs, although painted, featured on the jewel-cabinet almost certainly commissioned by William Beckford whilst in Paris in 1788-93 (anonymous sale, Sotheby's Monaco,14th June 1997, lot 137). This latter casket, executed by Adam Weisweiler, was ornamented with painted panels by le citoyen Sauvage (Piet-Joseph Sauvage 1733-1808), and the latter may well have provided the source for the mounts on the present candelabra.