A SEVRES PLATE FROM THE 'SERVICE ICONOGRAPHIQUE GREC' 1812

the center painted with a 'cameo' portrait titled APOLLON  within a gilt-edged roundel, the rim with a bleu lapisse en or ground, partially effaced M. Imp^{le de Sevres mark and 1812 printed in red, 15.j.11 painted in green, various letters and numerals in gold, incised script T and S.}

The collection of the Comtesse de Nadaillac (?)
James B. Pooley, Philadelphia, 1888
The collection of William Weightman, "Ravenhill", Germantown, Philadelphia
By direct descent to the present owner

The thickly applied brown enamel of the plates in this service are somewhat suceptible to occasional flaking or incipient flaking. There is a small area behind Apollo's head where it appears that the enamel might begin to lift at some point in the future but seems to be stable at the moment. There is some very minor light scratching to the gilding of the roundel's border and some very minor rubbing to the gilding in the cavetto. Otherwise in good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The 'Service Iconographique Grec' is arguably the most lavish and aesthetically successful of all the early 19^th Century services produced at Sèvres. It was produced as two identical dessert services: the first completed was completed in 1811 and presented on July 13^th of that year to Cardinal Fesch on the occasion of the baptism of the King of Rome (Napoléon II. son of Napoléon I and Marie-Louise). Referred to as the 'Service à Camées', its 82 component pieces are discussed by Pierre Verlet, Les Grands Services de Sèvres, the catalogue of a 1951 exhibition at the Musée National de Céramique, Sèvres, p. 48, no. 23.

The second service, to which the present group of four plates belong, was produced between 1812 and 1817, and was named after its principal source of decoration: the Iconographique ancienne ou recueil des portraits authentique des empereurs, rois et hommes illustres de l'Antiquité by Ennio Quirino Visconti (1751-1818). Originally conceived as a dinner and dessert service, the estimated expense of such an undertaking reduced the final number of pieces produced to 122 dessert wares, of which seventy-two were cameo-decorated plates. The service was entered into the factory's saleroom register on May19^th, 1817 but was displayed In the Sèvres annual exhibition at the Louvre in January of 1818, and it was not until September of 1819 that the service actually left the factory's stock, when it was delivered to the Ministry of Foreign Affairs for presentation to Pope Pius VII.

It is not known when, how or why the 'Service Iconographique Grec' left the papal collections, but by 1888 over half of the service had been transported to Philadelphia and was being offered for sale at the Walnut Street shop of James B. Pooley. That same year 66 pieces of the service were purchased from Mr. Pooley by Mr. William Weightman of Philadelphia, for which $5,000 was received as full payment.

William Weightman had emigrated from England to Philadelphia as a young chemist and founded the chemical company of Powers and Weightman, which became the leading producer of quinine, and made Weightman one of the wealthiest men in Philadelphia by the end of the 19th Century. He accumulated vast real estate holdings, and built on School Lane in Germantown his grand house "Ravenhill" (which eventually became a Catholic girls' school, and in 1982 part of the campus of the Philadelphia College of Textiles and Sciences, presently known as Philadelphia University). After his death in 1904, Weightman's business merged to become Powers, Weightman and Rosengarten, which in 1927 merged again with Merck and Co., today one of the world's leading pharmaceutical companies.  William Weightman outlived his two sons and nearly all of his estate (estimated at $60 million) devolved upon his daughter.

The cherished Sèvres service remained in the family for the most part until the present generation, from whom portions have become disseminated. Among these pieces one fruit cooler and one plate were purchased for the collection of the National Museum of Wales in Cardiff; the other cooler and nine plates were acquired in 1988 by the Kunstgewerbemuseum in Berlin; and a plate depicting a portrait of Thalès is in the Musée National de Ceramiique at Sèvres.

A plate depicting Pericles, formerly in the Weightman Collection was sold in these rooms on October 11, 1995, lot 320; and a further eighteen plates and a covered sucrier and stand from the  collection of William Weightman's great-granddaughter were sold also in these rooms on October 15, 1996, lots 506-517.  Four plates from the same service but descending in the family of Willliam Cowper Prime were sold in these rooms on May 20, 2010, lots 2-5.