Italy, probably Rome, 18th/19th century

Heim Gallery, London

Washington, New York, Cambridge, 1979-1982, no. 44 (illus.); New York, 1981, no. 15

Standard surface abrasions, small losses and chipping. Some restorations throughout. Some hairline firing cracks. There are restored breaks, including: at upper and lower curved borders, four corners, central figure's head and proper left arm, right hand figure's mitre and part of his right side (with staff), clouds on central right edge, parts of angel's head and wings (through which there appears to be an old horizontal break). There may be a vertical break between the two bishops moving upward. There is a horizontal break from left through lower torso of putti. The restorations are well done and the piece is stable. Very attractive.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Probably a sketch for a wall-monument, this vigrously modeled relief shows two Bishop Saints beneath a guardian angel and a pair of putti.  The angel extends a palm branch, a symbol of martyrdom, and an axe lies in the lower left.   Saint Cyprian and Pope Saint Cornelius, martyrs of the early church under Roman rule, were personal friends and share the feast day of September 16th.  The axe refers probably to the martyrdom of Cyprian and the putti may represent the souls of the two Saints.