Lot 121
  • 121

Christian Marcel Barbeau b.1925

Estimate
8,000 - 10,000 CAD
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Description

  • Christian Marcel Barbeau
  • Brise d'Automne
  • signed, titled and dated '75 by the artist in ink on the stretcher and titled on a gallery label on the reverse
  • oil on canvas
  • 81.3 by 101.0 cm.
  • 32 by 39 ¾ in.

Provenance

Dominion Gallery, Montreal

Private Collection, Toronto

Literature

Roald Nasgaard and Ray Ellenwood, The Automatiste Revolution, Markham, 2009, p. 34

Condition

This work is in excellent condition with no apparent issues under UV.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Barbeau was one of the youngest of the Automatistes who finally laid to rest the last vestiges of figure and landscape art, creating instead works of overall abstract compositional unities.

The technique Barbeau used in painting this colourful canvas is evocative of the "dripping" technique he used in the mid 1940's.  Nasgaard notes:

Essentially, the skeis of paint have been poured haphazardly over a variegated ground with no attention to framing the edges, the whole being like a fragment of a larger thing.

Fellow Automatiste artist, Jean-Paul Mousseau, credits Barbeau with discovering a "dripping technique" that anticipated or at least paralleled the American artist Jackson Pollock's "dripping style".  Barbeau, however, did not develop it into a full fledged method of painting.