Lot 1
  • 1

Sir Frederick Grant Banting 1891 - 1941

Estimate
20,000 - 30,000 CAD
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Description

  • Sir Frederick Grant Banting
  • St. Simeon Inn
  • signed lower right Banting; signed F.G. Banting and inscribed by a previous owner St. Simeon Inn, Painted by Frederick Banting 1930; Given to Marian Patterson by Dr. F.W. Rolph, March 1957 on the reverse
  • oil on panel
  • 21.0 by 26.7 cm.
  • 8 ¼ by 10 ½ in.

Provenance

Dr. F.W. Rolph

Mrs. Marian Patterson, gift from the above, 1957

Private Collection, Phoenix, Arizona

Exhibited

Exhibition of Paintings by the Late Sir Frederick Banting, Hart House, University of Toronto, March, 1943

Condition

This work is in excellent condition. Under UV there is evidence of inpainting along the right edge.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

In March of 1930, Banting together with his painting companion A.Y. Jackson, spent a three day sojourn in St. Simeon. They had walked the twelve miles from St. Fidèle to paint the picturesque scenery.

This oil sketch is very typical of the Quebec subject matter which delighted and inspired both artists. St. Simeon still was a quaint unspoiled village whose inhabitants drove the old horse-drawn red sleighs in winter. The tall peaked roofs of the houses were further enhanced by the brightly coloured walls of the houses, in this case red, blue and yellow. Nestled in a landscape of rolling hills and winding roads, it was an ideal location for both artists to immortalize just as the early spring thaw was begining.