Lot 23
  • 23

Mohamed Kanoo

Estimate
12,000 - 18,000 USD
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Description

  • Mohamed Kanoo
  • La' (No)
  • titled
  • acrylic on canvas
  • Executed in 2009.

Condition

Condition: This work is in very good condition. The stretcher is very lightly pulling the canvas on top right corner.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

inscription:

The word La' (No)

Quite clearly inspired by the Argentine-born artist Lucio Fontana, Mohamed Kanoo transforms standard calligraphy into a conceptual and sculptural triumph. In 1959, Fontana began the so-called Slash Series of paintings that featured precisely cut and slashed painted canvases. A trained sculptor, these works draw on concepts of mass, movement, time and space by transforming a flat and one dimensional surface into something else entirely - simply by introducing the space behind the canvas.

Kanoo began producing his own slash paintings by merging the slash with Arabic script, in this case the word for 'no' La', thus the artist introduces a conceptual and cultural identity to a work that is also driven by physics and the philosophy of time.