- 2
Kamran Diba
Description
- Kamran Diba
- Doha Edition (From Global Newspaper and Front Page Series)
signed and dated 10
print and acrylic on canvas
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
inscription:
The word al Haya
In this new series of works Global Newspaper and Front Page inspired by newspapers and current affairs, Kamran Diba is responding to the impact of modernity and globalisation, most importantly addressing issues of communication at an international level. He is attempting to address and go beyond the limitations of language, a medium which is perceived by the artist as a potentially divisive instrument that encourages segregation.
The edited sources of news and images are lifted from a host of multi-lingual daily newspapers, being actual copies of pictures and articles in the international press. Diba painstakingly recreates the news in a collage of visuals and colours, that transcend the barriers of language and race. By abstracting and reducing the information to colours symbolising each news topic, the newspaper which normally has a short life-span, is given a visual permanence.
Rendering the black and white illustrations from newspapers, Diba creates compositions with hard edged abstraction and photo realism which endeavour to contrast the figurative with non-figurative imagery.
Indebted to the Japanese artist On Kawara, Diba is inspired by Kawara's use of archiving global events in a succinct and abstract manner. Diba embraces his skill of using colour to further enhance the coding of the various topics.
This work departs from the rest of the series in that it is not so much a commentary on the divisiveness of language and cultural barrier, but more a homage to the al-Thani family, whose vision for culture, education and society is deeply admired by the artist. Visually organising his canvas into the form of a broadsheet, Doha Edition depicts symbols of the city and the legacy of the ruling family in a stimulating graphic narrative that portrays his respect for their vision.