Lot 18
  • 18

Mohammad Ehsai

Estimate
70,000 - 100,000 USD
Log in to view results
bidding is closed

Description

  • Mohammad Ehsai
  • Eshgh Khosoosi (Love)
  • signed and dated 1368 AP/1989 AD
  • oil and gold leaf on canvas

Provenance

Shams Gallery, Tehran (acquired directly from the artist)

Condition

Condition: This work is in good condition. There are very minor rubbing marks on bottom left corner. The gold leaf has very lightly rubbed off on top left, centre left and centr. There is a very light stable hairline craqulure on top right. There are very minor surface imperfections inherent of the artist's working process.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

inscription:

A couplet by the Persian poet Hafiz

"The sanctuary of love has a threshold beyond reason
The person who kisses that threshold is the one who is prepared to
risk his life"

A rare and important example of Ehsai's work that is inspired by the Persian lyric poet Hafiz, rather than the graphic letter form.

The genius of Hafiz is still widely recognised today, mainly thanks to the lasting impact of his literary innovation. He was responsible for developing the 'song of love', as the ghazal is known, into its accepted form. It is now an established genre of Arabic poetry, having infiltrated the other classical languages of the medieval Islamic empire including Turkish, Persian and Urdu, in whose literary traditions the ghazal can now be found. Hafiz was a linguistic and literary craftsman who revolutionised poetry in the Islamic lands, becoming one of its pre-eminent and most distinguished poets, and whose works have been described variously as 'exquisite' and 'sublime'.

Love and passion, although not Qur'anic themes, have attained substantial importance in mysticism and Arabic secular literature. Many of Islam's epic poems deal with unrequited love and its attendant madness, as well as the beauty of true love, passion and faithfulness. All the great theologians, poets and artists have made statements on the varying degrees and manifestations of love and it is no wonder that Ehsai drew on Hafiz for inspiration. The flame red, gold and black are the perfect foil for the couplet, and are a powerful visual reminder of the ghazal, the 'song of love'.