A Flemish carved oak standing cupboard second half 16th century and later

including carved linenfold side panels, the interior with later shelves and three drawers; reconstructed

In overall good restored condition. The doors with later framing. The feet have been retipped. Repairs and restorations with some replaced timber generally. The upper panels on the sides each appear to be cut from two different pieces of timber, with a horizontal join across the middle.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Comparative Literature:
Franz Windisch-Graetz, Möbel Europas, Romantik-Gotik, Munich, 1982, p. 206, fig. 130, for a similarly carved Flemish linenfold cupboard, dated 1551, in the Museum Steen, Antwerp, Inv. Nr. 31. E7.

In medieval art, there was great appreciation of the folds in drapery of cloths and textiles which dates back to and can be most clearly seen in Flemish panel painting of 15^th century, where great emphasis was placed on this. The linenfold style developed from the simple parchemin or parchment fold with a pronounced central ridge which finished at either end with a straightforward ogee arch. True linenfold appears in England in some accounts as `lignum undulatum'  literally wavy wood, after 1450. Regional variations appeared in France, Germany and England by the end of the 15th century and it was used on chests, presses, wall-panelling and chimney-pieces.