An Italian black lacquered bureau cabinet, Venetian second quarter 18th century

the top with a pair of doors with replaced mirror plates enclosing shelves, the flap to the bureau enclosing eight drawers and pigeonholes

Overall in very good condition and highly decorative. There has been some re-decoration, consistent with age and use. There has been some minor discolouration to the sides. Minor chips to decoration and to some mouldings. The plates are old but associated. The top fits slightly awkwardly but the decoration seems to be consistent throughout. The feet are chipped and scuffed. The decoration to the interior has been extensively re-decorated. With key.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This bureau cabinet decorated with chinoiserie scenes imitating Oriental lacquer takes its inspiration from the form of early 18th century English examples.
Since the 16^th century, lacquerware inspired by Oriental models has been produced in Venice and the taste for lacquered furniture reached its zenith in the 18^th century, with Venice being pre-eminent its production.  The growth and popularity of the Venetian lacquer trade must be placed in the context of life for the Venetian aristocracy during this period and furniture conceived in the lagoon probably represents, more than any other furniture produced elsewhere in Italy, the embodiment of the true rococo style. Small richly decorated rooms known as casini were maintained by nNoble families in Venice filled with commodes, guéridons and console tables and chairs where after official functions during the Carnival or other festive events they met their friends for conversazione. The Venetian depentore were at the peak of their powers towards the middle of the 18^th century when whole rooms would be furnished in lacquer displaying their superlative virtuosity.