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A Swedish Baroque giltwood center table, circle of Burchard Precht (1651-1738) late 17th/early 18th century
Estimate
7,000 - 10,000 USD
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Description
- oak, pine
- height 32 1/4 in.; width 38 in.; depth 23 1/2 in.
- 82 cm; 96.5 cm; 58.5 cm
Condition
With age and construction cracks. Top and apron of later date. Overall unstabil. Losses to gesso, not extensive. Regilt, gilding now with losses and rubbing. In sound overall condition but needs stabilizing.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
The double C-scrolls of the legs of the table are a trademark of Precht's style. The name of Precht is closely associated with the production of furniture of high quality in Sweden in the late seventeenth and early part of the eighteenth century. Originally from Bremen, Precht arrived in Stockholm in 1674 to work at the Drottningholm Palace and was named carver to the court in 1682. In 1687-88 he travelled to Rome and Paris with the court architect Nicodemus Tessin, which strongly influenced his work and led to many eccelsiastical commissions. A related table is illustrated in S. Wallin, Nordiska Museets Möbler från Svenska Herremanshem, Lund, 1979, vol. I., fig. 221, 222 and 223.