# Tenniel, Sir John.

i) fine drawing intended for Punch [23 July 1870], pencil and gouache on six wooden blocks (combined), 205 by 157mm., signed with monogram; ii) fine drawing entitled 'Bassanio and the Caskets' [The Merchant of Venice, Act 3 scene 2], pencil and gouache on three wooden blocks (combined), 165 by 129mm., unsigned; iii) fine drawing of court scene [The Merchant of Venice, Act 4 scene one], pencil and gouache on three wooden blocks (combined), 165 by 129mm., unsigned; all framed and glazed, some staining at block joins

Condition is described in the main body of the cataloguing, where appropriate.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Frankie Morris in her study of Tenniel entitled Artist of Wonderland (Charlottesville, 2005) identifies the Punch illustration as dating from 1870. She reproduces this uncut block as evidence of Tenniel's skill at dark and light contrasts when drawing on wood. Tenniel's illustrations to The Merchant of Venice are, apparently, unrecorded. They appear to date from 1869.