Lot 29
  • 29

Ceren Oykut

Estimate
4,000 - 6,000 GBP
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Description

  • Ceren Oykut
  • Lost Passport
  • Each: signed and dated 08
  • ink and ink stamp on Schnittbogen pattern sheet, in four parts

Exhibited

Maribor, KIBLA Multimedijski Center, Lost Passport, 2008
Istanbul, Sabanci University Kasa Galeri, Tracing, 2009

Condition

Condition: This work is in good condition. There are minor holes alongside one edge of each paper and folding lines, inherent of the nature of the pattern sheet. There is a very minor tear on centre left of the sheet with the passport stamp. Colours: The colours in the catalogue illustration are accurate.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

These charming drawings are not the straightforward cartoons they at first appear. Drawn on Schnittbogen paper as though tracing a real topography across its map-like surface, and littered with visa stamps to the Schengen states, these images are representative of the utopian world outside the boundaries imposed by a Turkish passport, and a Turkish identity.

The visa is a gateway to this forbidden place, bordered by bureaucracy and kept out by paperwork, the traveller has to prove their innocence before they are allowed passage to this land of promise.

Oykut has found an enchanting way of representing some of the weightier issues of globalisation, identity, borders and terrorism, skilfully weaving these together with a sense of optimism and wonder, and without sacrificing a wicked sense of adventure.