Lot 22
  • 22

Jim Dine

Estimate
150,000 - 200,000 USD
Log in to view results
bidding is closed

Description

  • Jim Dine
  • A Robe in the Winter
  • signed, titled and dated 2002 on the reverse
  • oil, acrylic, sand and charcoal on panel
  • 60 by 48 in.
  • 152.4 by 121.9 cm

Provenance

Pace Wildenstein, New York (acquired directly from the artist)
Acquired by the present owner from the above in 2007

Exhibited

San Francisco, John Berggruen Gallery, Jim Dine: Recent Paintings, May 2003
Boca Raton Museum of Art, In the Eye of the Beholder, May - June 2008

Condition

This work is in very good condition overall. Colors are bright. A few tiny, scattered slivers of wood are inherent in the medium. A few spots on the surface are thinner and appear to be the result of the artist's technique. Framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Jim Dine began painting bathrobes in 1964; though some were titled or subtitled Self-Portrait.  The bathrobe became a motif in his repertoire which he has returned to on many occasions, in prints as well as paintings.  Though he claimed never to wear a bathrobe, nonetheless it is an article of collective faith that these are all, in a way, self-portraits.

Pictorially, Dine finds the motif convenient because, absent a human within protuding head and limbs, it neatly fits the rectangular limits of the supports he uses, be they paper, stretched canvas, or (as in this case)  wood panel.  Relatively flat as well, the bathrobe is an armature for the entire unfolding spectacle of his painterly and graphic invention, a design with which he has become increasingly familiar and adept, incrementally shedding its descriptive function until it stands alone as the thing itself, indivisible.