- 59
A William and Mary inlaid walnut cabinet on chest circa 1695, attributed to Gerrit Jensen
Description
- 159cm. high, 118cm. wide, 51cm. deep; 5ft. 3in., 3ft. 10¾in., 1ft. 8¼in.
Literature
The Duchess of Devonshire, Chatsworth - The House, 2002, p. 70, refers to the cabinet being at Compton Place
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
The quality of this cabinet would suggest that it was made by one of the leading cabinet makers of the late 17th century and given Jensen's known association with the Cavendish family and his work at Chatsworth he would appear to be a likely candidate. Renowned for his work in sea-weed marquetry, the collections at Chatsworth include a pair of cabinets-on-stands and a table attributed to Jensen. One of the cabinets is illustrated by Dr. Adam Bowett, English Furniture 1660-1714, From Charles II to Queen Anne, Woodbridge, 2002, p. 200, fig. 7:9.
Gerrit Jensen was one of the foremost cabinet-makers of his day who had served the English crown since the reign of Charles II and retained his royal appointment throughout the reign of Queen Anne, supplying furniture not only for St. James's Palace but also Hampton Court and Kensington Palace. In addition to the Royal family and the Dukes of Devonshire, Jensen also attracted commissions from senior members of the nobility, including the Dukes of Richmond, Hamilton, Montagu and Somerset, collaborating with other leading artists and craftsmen on the decoration of some of the greatest town and country houses in England. Possibly of Flemish or Dutch extraction, Jensen was one of several artist-craftsmen of foreign background employed at the English court, and his work shows a strong Continental influence, particularly that of France, earning him the sobriquet `the English Boulle'.