Lot 237
  • 237

A large George III gilt-paper and plaster ceiling rose possibly by Sefferin Nelson late 18th century

Estimate
2,000 - 3,000 GBP
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Description

  • Paper, wood and plaster
  • The first: 126cm. diameter; 4ft. 1½in.
in the form of scrolling palm fronds interdispersed by branches of laurel within a wreath of further laurel leaves, together with a fragment from another ceiling rose, slightly later in date, both with wooden backing boards (2)

Condition

Distressed condition with age cracks, losses and frayed sections. Most of the original gilded and painted decoration is now lost or dirty.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Working under the direction of John Carr of York for the 5th Duke, Sefferin Nelson carried out a large amount of decorative commissions including those of the Yellow Drawing Room and the Blue Drawing Room. Both feature ceilings with similar decorative foliate flourishes. Nelson's bill from the 25th June 1784 details other architectural 'enrichments' such as overdoors and cornice details; The border round the Music Room making 27 feet of new and the inrichmt. and gilding of 227 feet in burnished Gold accounted for in the Bill delivered of work in Hand but not Finished 29.. 16...

The techniques employed in the construction, the use of paper and other materials other than gesso, also relate to Nelsons work notably on the mirror surmounts in the Blue Drawing Room, Chatsworth.

It is not possible to establish from exactly where this ceiling rose has come but it may have been a casualty of the considerable changes undertaken during the 6th Duke's remodelling of Chatsworth. It may well have been taken down when the Blue Drawing Room was adapted for use as a Billiard Room and a large brass billiard light was installed (Lot ****).