Lot 185
  • 185

A George II paduok-wood and upholstered chair second quarter 18th century

Estimate
500 - 700 GBP
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Description

the cabriole legs with carved scallop and scroll ending in pad feet with outswept rear legs

Provenance

Possibly William Spencer Compton, 1st Earl of Wilmington (1673-1743) Compton Place, Eastbourne, Sussex; thence by descent to William Cavendish, 7th Duke of Devonshire (1808-1891)

Literature

H. Avary Tipping, Compton Place Eastbourne, Country Life, 1916, Vol. XL, pp. 266-294
H. Avary Tipping, English Homes - Period V, Early Georgian 1714-1760, 1921, p. 130, illus. pl. 158;

Condition

In need of reupholstering but the frame is generally sound but with wood worm holes throughout. One carved spandrel to the right side is missing and there is some fragmentation to the feet. Attractive figuring to the legs.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

This chair forms part of a group that were at Compton Place. Other examples remain at Chatsworth. It is conceivable that they formed part of a group ordered by The Earl of Wilmington who acquired the estate in 1724 and subsequently remodelled the house employing Colen Campbell probably on the recommendation of Lord Wilmington's neighbour in Chiswick, Lord Burlington. The chairs are clearly visible in a photograph of the gallery on the first floor taken in the early 20th century.