- 239
Bol en porcelaine monochrome vert pâle Chine, dynastie Qing, marque et époque Qianlong (1736-1795)
Description
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
In both form and colour, this elegant bowl is rare and only one other smaller example, but with Yongzheng reign mark and of the period and with a white-glazed interior, appears to have been published(Victoria and Albert Museum, London, Rose Kerr, Chinese Ceramics. Porcelain of the Qing Dynasty 1644-1911, London, 1986, pl. 66).
For further Yongzheng bowls of this form, see one of this size but covered overall in bright lemon-yellow enamel, sold at Christie's Hong Kong, 27th October 2003, lot 703; a pair of smaller proportions, from the E.T. Hall collection, sold at Christie's London, 7th June 2004, lot 277; and a white-glazed bowl of related form, illustrated in Qingday yuyao ciqi, vol. 1, pt. II, Beijing, 2005, pl. 96. Compare also a small Yongzheng yellow-glazed cup included in the exhibition Wonders of the Potter's Palette. Qing Ceramics from the Collection of the Hong Kong Museum of Art, Hong Kong Museum of Art, Hong Kong, 1984, cat. no. 58.
During the Yongzheng and early Qianlong periods this unique shade of lime-green was achieved. However, this rare glaze was produced for only a short period due to the difficulties and dangers in manufacturing the glaze, which was poisonous to both potters and patrons