John Constable, R.A.

Hugh Constable (grandson of the artist);
by descent until sold, Phillips London, 31 January 1997, lot 22;
with Hazlitt, Gooden & Fox, London

The black and white chalk has remained strong and clear. The blue paper has been exposed to the light and, apart from the extreme edges, is discoloured. There are several areas of localised discolouration, particularly in the sky. The sheet has not been laid down. For further information regarding this lot please contact Mark Griffith-Jones (0207 293 5083) or Emmeline Hallmark (0207 293 5407) mark.griffithjones@sothebys.com emmeline.hallmark@sothebys.com
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

It has been suggested by Graham Reynolds on the basis of a photograph, that stylistically and in subject matter this drawing relates to those made during the artist's voyage on the Coutts in 1803, (see G. Reynolds, The Early Paintings and Drawings of John Constable, 1966, pl.167, 207-209). We are also grateful to Peter Bower for confirming that the paper is consistent with those used by Constable.