- 35
Ben Nicholson, O.M.
Description
- Ben Nicholson, O.M.
- Gadero, Brissago, Ticino
- signed with initials and dated 1960; also signed, titled, dated aug 61 and inscribed Gadero/ for Herbert affectionately/ Ben & Feli on the backboard
- oil, pencil and wash on printed base
- 43 by 50.5cm.; 17 by 20in.
Provenance
Exhibited
Literature
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Sir Herbert Read was one of the leading art critics of his generation and a prolific writer. He championed the work of British artists including Nicholson, Barbara Hepworth, Henry Moore and Paul Nash. In 1948 Read edited the first of two major volumes on Nicholson's art published by Lund Humphries and Nicholson was continuously indebted to his support.
In the present work Nicholson adjoins his own design to one of Read's poems, something similarly done by Hepworth in The Poet Reading to his Children (Leeds City Art Galleries) and Moore in 1945 (Private Collection), which are both directly tied to Read's poetry. Nicholson had experimented to great success with the printed medium from the late 1920s, ably combining the printed and painted media. Nicholson commonly reworked his printing proofs which were never fully editioned, adding ink and oil washes to create new and unique images which he termed 'mixed media on an etched ground'.
The title of the present work refers to Nicholson's residence in Switzerland, where he moved to from St Ives in 1958. Located on Lago Maggiore just north of the Italian border, he lived there with his third wife, Felicitas Vogler, whom he married in 1957.