- 29
Mark Gertler
Estimate
12,000 - 18,000 GBP
bidding is closed
Description
- Mark Gertler
- The Mantilla
- signed and dated 37.
- oil on board
- 46 by 33cm.; 18 by 13in.
Provenance
The Artist's Family, by whom gifted to the present owner in the 1960s
Exhibited
London, Lefevre Gallery, 1937 (details untraced);
London, New Grafton Gallery, 1969 (details untraced);
London, Edward Harvane Gallery, 1971 (details untraced);
London, Ben Uri Gallery, Mark Gertler - the early and the late years, 30th March - 27th May 1982, cat. no.53;
London, Camden Arts Centre, Mark Gertler: Paintings & Drawings, 20th March - 10th May 1992, cat. no.64, illustrated in the catalogue, with tour to Castle Museum, Nottingham and Leeds City Art Gallery;
London, Ben Uri Gallery, Mark Gertler: A New Perspective, 30th September - 1st December 2002, cat. no.42, illustrated in the catalogue.
London, New Grafton Gallery, 1969 (details untraced);
London, Edward Harvane Gallery, 1971 (details untraced);
London, Ben Uri Gallery, Mark Gertler - the early and the late years, 30th March - 27th May 1982, cat. no.53;
London, Camden Arts Centre, Mark Gertler: Paintings & Drawings, 20th March - 10th May 1992, cat. no.64, illustrated in the catalogue, with tour to Castle Museum, Nottingham and Leeds City Art Gallery;
London, Ben Uri Gallery, Mark Gertler: A New Perspective, 30th September - 1st December 2002, cat. no.42, illustrated in the catalogue.
Literature
John Woodeson, Mark Gertler, Biography of a Painter, 1891 - 1939, Sidgwick & Jackson, London, listed as The Mantilla (Head of a Woman), p.389.
Condition
The canvas is lined.
There is some very light craquelure and two flecks of paint loss in the sitter's hair, there is a further speck of old paint loss to the bottom of her cheek. Otherwise, the paint surface is in good overall condition.
Under ultraviolet light, there appear to be a few tiny flecks of retouching; including two in the upper left quadrant, a few small flecks in the bottom left quadrant, a further speck to her hair to the right of her cheek, and one to her eyebrow. The canvas has been covered with a thick varnish.
Held in an ornate painted plaster frame.
Please telephone the department on 020 7293 5381 if you have any questions regarding the present work.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
The sitter for The Mantilla was one of Gertler's students at the Westminster Technical Institute, London. The present work is included as the central part of a larger painting entitled The Bride, which Gertler calls The Jewish Bride in his diary.