Alan Lydiate Durst

There are some minor marks of surface dirt but the sculpture is in good overall condition. Please telephone the department on 020 7293 5381 if you have any questions regarding the present work
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Alan Durst was a British sculptor of figures, animals and religious subjects. He studied at the Central School of Art and Design from 1913-20, although this was interrupted while serving for the Royal Marines between 1914 and 1918. In 1920 he turned to sculpture and adopted a direct carving technique similarly employed by Henry Moore, John Skeaping and Barbara Hepworth. He worked nearly entirely in stone, wood and ivory and the hands-on approach of direct carving allowed for a fine and sensitive handling of the material. One of his most notable commissions is a series of carved figures he designed for the entrance of the Royal Academy of Dramatic Art.