Lot 108
  • 108

A mid 19th century patinated bronze figural group of the three graces after Germain Pilon Paris, circa 1850

Estimate
20,000 - 30,000 USD
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Description

  • bronze
  • height 27 1/2 in.
  • 70 cm

Literature

COMPARATIVE LITERATURE

F. Barbedienne catalogue of 1886, model illustrated.

Condition

Overall in good condition; very finely cast; wear to patina to top of each head now showing yellow bronze color; similar wear around the base.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Germain Pilon (b. 1525-1590) was on of the most celebrated French sculptors of the second half of the 16th century and became the chief sculptor after the exile of Jean Goujon in 1562.  He was the founder of a well know artistic family. Two of his sons including Raphael Pilon (1559-90) and Germain Pilon the younger (b. 1571) also became sculptors, and his daughter Claude Pilon (b 1564) married the painter Nicolas Leblond in 1583.

The Three Graces or the Heart of Henry II was created by Pilon between 1561 and 1565 having been commissioned by Primaticcio, who was Srientednant des Bâtiments du Roi, on behalf of Heny II's widow Catherine de'Medici.  The design for the figural group is based on two sources, firstly after the antique group in the library of Sienna Cathedral and on an engraving by Marcantonic Raimondi, of Raphael's design of an incense burner for Francis I.  Jacque Thirion describes the work as 'strongly three-dimensional. This feeling for plasticity, combined with an elegant Mannerist treatment of the human form, the measured balance of the figures' poses, the ambiguous charm of their faces and the subtle arrangement of draperies henceforward formed the chief characteristics of Pilon's style.'  See Jacques Thirion. "Pilon, Germain." Grove Art Online. Oxford Art Online, updated November 26, 2003.