Joaquín Peinado

Estate of the artist
Purchased from the above by the present owner in 1985

Original canvas. There are no signs of retouching visible under ultraviolet light. Apart from a very minor dent with minor cracks near the upper edge, the work is in very good original condition, and is ready to hang. Held in a simple modern wood frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The following four works by Peinado were acquired from the estate of the artist and exemplify the neo-cubist aesthetic for which he became renowned. Considered a successor of Cézanne and spiritual son of Picasso, Peinado is one of the most elegant painters of the 'Spanish School' in Paris.

Joaquín Peinado initially planned to become a merchant, before abandoning his studies to enter the Madrid Academy of Fine Arts of San Fernando. He eventually became a disciple of Cecilio Plá and Julio Romero de Torres. In 1922 he won the El Paular prize for painting and, a year later, settled in Paris to further his studies, where he befriended Picasso, Luis Buñuel, Christian Zervos, Pancho Cossío and Francisco Bores, among others. Peinado studied at the Academies Ranson, Colarossi and La Grande Chaumière, while exploring the new concept of cubist painting, an aesthetic he was fully to embrace in his subsequent works.

In 1924 Peinado took part in the exhibitions of the Indépendants, Surindépendants and the Salon d'automne; the following year he participated in the Exhibition of the Iberian Artists Society, in the rooms of the Madrileñan Retreat. In May 1926 he travelled to Amsterdam to take part in the staging of Manuel de Falla's El retablo de Maese Pedro (Maese Pedro´s altarpiece), directed by Luis Buñuel. In 1929, Peinado exhibited in two important group exhibitions of avant-garde art in Spain: the Exhibition  of Paintings and Sculptures of Spanish artists resident in Paris, in the Botanic Garden of Madrid and the Regional Exhibition of Modern Art, in la Casa de los Tiros (House of Shots) in Granada. In the 1940s and 1950s he exhibited in Prague, Brno and Mexico, before securing a retrospective of his work at the Museum of Spanish Contemporary Art in Madrid in 1969.