Lot 92
  • 92

Thomas Couture

Estimate
25,000 - 35,000 USD
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Description

  • Thomas Couture
  • Nude
  • signed T.C. (upper left)
  • oil on canvas
  • 45 3/4 by 23 3/4 in.
  • 116.2 by 60.3 cm

Provenance

Wildenstein (in 1980)
Private Collection

Exhibited

Caracas, Museo de Bellas Artes, Obras clasicas de la pintura europea, January 1956, no. 28
Jacksonville, Florida, Cummer Gallery of Art, Masterpieces of French Painting Through Two and a Half Centuries, November 10-December 31, 1961
Wichita, Kansas, Wichita Art Museum, 300 Years of French Painting, September 16-October 7, 1979
New York, Wildenstein, Paris Cafés: Their Role in the Birth of Modern Art, November 13-December 20, 1985
Ornans, Musée Courbet, Des nus et des nues... ou les adventures de la Percheronne, May 24-October 1, 2003

Condition

Lined; under UV: six inch vertical line of inpainting along upper left edge, a few scattered dots of older inpainting in her face, 12 inch horizontal line of inpainting just below her neck, 2 by 1 inch area of inpainting to top of her chest, area of inpainting at her right armpit, horizontal lines of inpainting across her midsection, a few vertical areas of inpainting in her thighs, several spots of inpainting in her legs and one inch circular area in her right foot, scattered dots of inpainting in background.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

The present work painted circa 1849 is likely a study for A Young Bather held by the Hermitage State Museum, St. Petersburg.  The Hermitage's example  in which an adolescent girl in similar pose is seated in a grotto is signed and dated 1849 (see: Albert Boime, Thomas Couture and the Eclectic Vision, New Haven, 1980, p. 336, illustrated pl. IX.60).