Lot 975
  • 975

Giovanni Bartolena

Estimate
6,000 - 8,000 EUR
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Description

  • Giovanni Bartolena
  • Natura morta con boccioli di rosa
  • firmato in alto a destra Gio Bartolena
  • olio su tavola
  • cm 44 x 28

Condition

Oil on panel. From a first hand inspection there are small vertical cracks of the support due to natural aging of the wood. There are 3 - 4 woodworms holes over the background on the right hand side and tow over the roses in the middle, moreover there are two holes in the middle along the lower edge probably due to push-pins. The ultra violet light reveals light yellowish fluorescent varnish. It is suggested a careful cleansing and restoration of the support.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Nella produzione di Bartolena, pittore dal carattere schivo e solitario, le nature morte sono i soggetti più ricercati nelle collezioni private. Per quanto l'opera qui presentata sia un bozzetto, il formato verticale, insolito per l'artista, è arricchito da una pennellata naturale e spontanea, che rende la pittura particolarmente vibrante, restituendo a chi guarda la freschezza delle rose.
La composizione, che si sviluppa in forma piramidale, è definita dalla diagonale che divide la zona sinistra luminosa che fa risaltare il rosso dei petali da quella destra in ombra con le foglie e gambi. L'opera, per la sua incompiutezza, risulta essere estremamente lontana dalle nature morte "ordinate" di Bartolena , ma è comunque percepibile la ricerca di equilibrio e armonia tipica del pittore.