Henry Moore

Three complete portfolios, containing facsimile sketchbooks and etchings, 1983, etchings signed in pencil and numbered, one impression of C. 670 and two impressions each of C. 668, 669 (5 prints)

Each in good condition. Solander boxes contained in a larger cardboard box.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The first portfolio containing C. 668 and 669, signed in pencil and numbered 12/25, also signed in pencil and numbered A 12/25 on the inside back cover of the sketchbook

The second portfolio also containing C. 668 and 669, signed in pencil and numbered 6/25, also signed in pencil and numbered A 6/25 on the inside back cover of the sketchbook

The third portfolio containing C. 670 and a catalogue, signed in pencil and numbered 16/75, also signed in pencil and numbered B 16/75 on the inside back cover of the sketchbook

From the total edition of 510, the etchings on Arches wove paper, printed by James Collyer and John Crossley, London, sketchbook reproduced by Kunstanstalt Max Jaffé, Vienna, contained in the original Richard de Bas fawn paper-covered Solander boxes