A pair of Italian carved fruitwood torchères, possibly Valentino Besarel (1823-1902) Venetian, second half 19th century

with grimacing figural supports dressed in 17th century costume

Acquired by William Reginald Courtenay, 11^th Earl of Devon (1807-1888) and thence by descent.

Illustrated 'Powderham Castle III', Mark Girouard, Country Life, July 18^th 1963, Vol. CXXXIV, p. 140 in the Music Room.

Good general condition. Some old marks and chips consistent with age and use. Some old worm damage and age cracks to both bases.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This pair of Blackamoor torchéres are of higher quality when compared to the more usual Blackamoors produced in Venice in the 19th century. The finely executed carving is the principal reason for the suggestion of Besarel as carver. For works that relate to this offered lot see a pair of carved cedar huntsman formerly in the Great Hall at Stokesay, Shropshire and sold Sotheby's house sale, 28 September 1994, lot 42. Also see another torchére in the form of a jester standing on a draped column, sold Christie's London, 15 February 1990, lot 134. More recently see a pair offered, in these Rooms, 13 January 2009, lot 213.

Valentino Besarel was much admired at the Vienna Exhibition on 1873 and at the Paris Exhibition in 1878. He was patronised by Edward, The Prince of Wales, Grand Dukes Serge and Paul of Russia, Kaiser Fredrick III of Germany and many other members of European royalty. As well as his popular wooden statues Besarel worked in marble and executed portrait, funerary and religious sculptures. Many of his works are in the Museo Civico di Belluno.