Paul Strand

flush-mounted, 1933; accompanied by the original paper mount, signed, titled, dated, and annotated in pencil

This early, warm-toned print, hinged to a modern mat, is in very good condition. As is typical of Strand's work of the period, the print's surface sheen is the result of a coating, possibly wax or varnish, that Strand favored in order to enhance the details of the image. Upon very close examination, a faint cracklure in the coating is visible throughout, as well as 2 tiny abrasions that have been retouched, in the lower left quadrant and center right of the image. Visible in raking light are 3 tiny deposits of a light, matte substance on or near the sitter's face. There is some edge chipping, most notably at the lower right. On the reverse are adhesive remains along the flush-mount's edges. The original paper mount has graphite-colored soiling outlining the photograph's original position on the mount. There are also light rust-colored droplets in the lower right quadrant of the paper. There are various small tears and creases, as well as 2 small remnants of linen tape. The annotation '134 W. 4th ST New York (12)' is in pencil in another hand.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

It is believed that the print offered here is one of only five extant prints of this image and the only one in private hands.  Aside from the present print, there is an enlargement in The Philadelphia Museum of Art, and two enlargements and a platinum print in The Paul Strand Archive, Millerton.