Diane Arbus

signed, titled, dated, annotated 'Not to be Reproduced,' and with a personal note to 'Chrystia' in ink on the reverse, framed, 1963, printed no later than 1967 (Revelations, p. 72)

Christie's New York, 13 October 1992, Sale 7510, Lot 522

This early print is in generally good condition. In raking light, several small, sharp handling creases are visible, primarily in the margins. There are three that protrude into the image, but these are not visible under normal viewing conditions. Also visible in raking light is silvering in the dark areas.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Arbus's handwritten note on the reverse of the photograph here reads, 'Dear Chrystia, Would you between now and May 7 go to The Museum of Modern Art (main floor west wing) where there is a roomful of my photographs.  I 'd really like you to see them.  Diane.' 

From the 28th of February to the 7th of May, 1967, Arbus exhibited 30 photographs in MoMA's groundbreaking New Documents exhibition, curated by John Szarkowski, which also showcased the work of Garry Winogrand and Lee Friedlander.  It was the only major museum exhibition of Arbus's work during her lifetime.  In order to encourage specific people to visit the exhibition, Arbus mailed out small prints of her photographs, such as the one offered here, with a personal invitation on the reverse.