Lot 70
  • 70

William Henry Fox Talbot

Estimate
5,000 - 7,000 USD
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Description

  • William Henry Fox Talbot
  • 'KING'S COLLEGE CHAPEL, CAMBRIDGE'
salt print from a calotype negative, on paper watermarked 'J. Whatman 1846,' circa 1845

Provenance

Robert Hershkowitz Ltd., Sussex, England

Condition

Grading this salt print on a scale of 1 to 10--a 10 being a salt print with deep brown tones and highlights that retain all of their original detail--this print rates an 8. While it is slightly light overall, this is likely a function of the original exposure and not due to fading. This print has full, wide margins whose color matches the darkest tones of the print, and is in generally excellent condition. There is an extremely faint 1/8-inch horizontal strip of yellowing, 2 inches from the top edge of the print, that is visible only under close examination. When examining the photograph from the back, a 5½-inch crease is visible at the bottom right corner. This has been repaired and reinforced with Japanese tissue. This can be seen upon very close examination on the front of the print, and is most evident in the lower margin. This does not detract from the overall attractive appearance of the print.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

The full catalogue information for this lot is as follows:

salt print from a calotype negative, on paper watermarked 'J. Whatman 1846,' titled in an unidentified modern hand in pencil on the reverse, matted, circa 1845