- 72
Attributed to Francisco Salzillo (1707-1783) Spanish, Murcia, 18th century
Description
- Virgin and Child
- gilt and polychromed unfired clay, inset with glass eyes, silver crown, on a gilt and polychromed wood base
- Spanish, Murcia, 18th century
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Francesco Salzillo entered the family workshop upon the death of his father in 1727. He had hoped to pursue a career in the church, but instead used his faith to inspire his sculpture. By 1755 Salzillo was appointed escultor y modelista and Inspector to the Inquisition for painting and sculpture in Murcia. The treatment of the drapery, richly decorated robes with intricate detailing, and physiognomy of the two figures are all consistent with Salzillo's work.
RELATED LITERATURE
J. Sánchez Moreno, Vida y obra de Francisco Salzillo, Murcia, 1945; E. Pardo, Canalís: Francisco Salzillo, Madrid, 1965; J. C. López Giménez, Escultura mediterránea: Final del siglo XVII y el siglo XVIII, Murcia, 1966; D. López García: Antonio Duparc y Francisco Salzillo, Murcia, 1970; E. Gómez Piñol, de., El imaginero Francisco Salzillo, Museo. Salzillo, 1973, J. L. Morales y Marin, El arte de Francisco Salzillo, Murcia, 1975; C. Belda Navarro, 'Los bocetos de Salzillo y su significación en la escultura barroca', Goya, 136 ,1977, pp. 226–33; Francisco Salzillo, exh. cat., Murcia, Mus. B.A., 1983