An Italian Pietra Dura Relief Panel with Saint Francis Holding the Cross, Early 18th century, Florence

with various inventory numbers painted on the reverse

Standard wear. Small loss to tip of rope belt. Repair to break in end of drapery on his lower right. Repaired crack to cross beneath his right elbow. Minor chips. Two collection numbers painted on reverse: 791-A and 374
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

This beautifully carved relief is characteristic of the hardstone work, or pietre dure, made in Florence in the 17th and 18th centures. The Grand-Ducal workshops or the Galleria dei Lavori (and later the Opificio delle Pietre Dure) was established during the Renaissance by the Medici who had great passion for the luxurious works of art  that were created from these semi-precious and often rare stones. The vessels, small figures, reliefs and furniture were frequently given as diplomatic gifts.

Giovanni Battista Foggini (1652-1725) supervised the Grand Ducal studio and also created a variety of hardstone works as independent pieces or as ornaments for cabinets.  Foggini had a large following and many of his designs were carved by Giuseppe Antonio Torricelli (1659-1719) who is renowned for the subtleness and delicacy of his carving.