A Monumental Marble Figure of a Youth, Roman Imperial, circa 1st Century A.D., with 17th/early 18th Century Restorations

standing with his weight on the right leg, the base, head, and other extremities restored.

Thomas Herbert, 8th Earl of Pembroke, 1656-1733, Wilton House, Wiltshire
Henry, 9th Earl of Pembroke, 1693-1749
Henry, 10th Earl of Pembroke, 1734-1794
George Augustus, 11th Earl of Pembroke, 1759-1827
Robert Henry, 12th Earl of Pembroke, 1791-1862
George Robert Charles, 13th Earl of Pembroke, 1850-1895
Sidney, 14th Earl of Pembroke, 1853-1913
Reginald, 15th Earl of Pembroke, 1880-1960
Sidney Charles, 16th Earl of Pembroke, 1906-1969 (Christie's, Wilton House, A Selected Portion of the Collection of Ancient Marbles formed by Thomas 8th Earl of Pembroke, July 3rd, 1961, no. 48)
Ralph and Esther Merton, The Old Rectory, Burghfield, Berkshire

"A Copy of ye Book of Antiquities at Wilton," manuscript, circa 1730(British Library, MS 1018)
Cary Creed, The Marble Antiquities, The Right Hon. The Earl of Pembroke's, at Wilton, &c., 1731, pl. 27
Richard Cowdry, A Description of the Pictures, Statues, Busto's, Basso-relievo's, and other Curiosities at the Earl of Pembroke's House at Wilton, London, 1751, p. 18
Thomas Martyn, The English Connoisseur: Containing an Account of Whatever is Curious in Painting, Sculpture, &c, in the Palaces and Seats of the Nobility and Principal Gentry of England both in Town and Country, Dublin, 1766, vol. I, p. 130
James Kennedy, A description of the Antiquities and Curiosities in Wilton House, Salisbury, 1769, p. 8
George Richardson, Aedes Pembrochianae: or a critical account of the statues, bustos, relievos, paintings, medals, and other curiosities and antiquities at Wilton House, London, 1774, p. 17 of 1798 edition
Johann Jacob Volkmann, Neueste Reisen durch England, 1788, p. 679
S.H. Spiker, Travels through England, Wales & Scotland in the Year 1816, London, 1820, p. 148
John Preston Neale and Thomas Moule, Views of the Seats of Noblemen and Gentlemen in England, Wales, Scotland, and Ireland, London, 1823, p. 12
Charles, Comte de Clarac, Musée de sculpture antique et moderne, vol. V, Paris, 1839-1841, pl. 953, no. 2446A
Charles T. Newton, "Notes on the Sculptures at Wilton House," in Memoirs Illustrative of the History and Antiquities of Wiltshire and the City of Salisbury, London, 1851, p. 251, no. 13
James Smith and Walter F. Tiffin, Wilton and its Associations, Salisbury and London, 1851, p. 177, no. 13
Gustav Friedrich Waagen, Treasures of Art in Great Britain, vol. III, London, 1854, p. 145
Adolf Michaelis, Ancient Marbles in Great Britain, 1882, p. 676, no. 13
Nevile Rodwell Wilkinson, Wilton House Guide: A Handbook for Visitors, London, 1908, p. 9, no. 13
Salomon Reinach, Répertoire de la statuaire grecque et romaine, vol. I, 3rd ed., Paris, 1916, p. 587, fig. 3
Anthony Huxley, "Always in Flower: Garden of the Old Rectory, Burghfield, Berkshire," Country Life, March 16th, 1978, p. 667, illus.

Ancient torso in good condition, a small marble fill above navel; restoration job has deteriorated during 40 years or so statue was exposed to elements: some joins have loosened, especially across proper left shoulder, several losses were filled with concrete, fingers of right hand are lost, and toes are fragmentary; test cleaning patches on proper left buttock and lower back (visible on back view) show that current green patina can be removed from both ancient and modern elements.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

From the early 1720s until the mid 19th Century, when it was moved to the Cloisters with most of the other antiquities, the present statue was set in a niche in the Great Hall, one of the grandest spaces at Wilton House; in a corresponding niche was a statue of Mercury. Since its sale at auction in 1961 the present statue was displayed at The Old Rectory in Burghfield, Berkshire, in the middle of a pond from which it was only recently removed (see photograph in situ on Sothebys.com). Test patches demonstrate that the surface of the statue can be cleaned of its "outdoors patina."

The somewhat crudely engraved inscription "Antinous" on the base was probably commissioned by the 8th Earl himself, who was an enthusiastic antiquarian and to whom "it was a matter of pride that no head that entered his collection could be allowed to remain anonymous" (Scott, op. cit., p. 43). Ever since the 16th Century Antinous had been "a title frequently given to figures of male youths (F. Haskell and N. Penny, Taste and the Antique, New Haven, 1981, p. 141). In a similar way the Egyptian granite head of a king at Wilton (lot 96 in the present catalogue) was given the name of one of the most famous Egyptian kings known at the time.