Workshop of Guido Reni

The catalogue illustration is faithful to the original. The support consist of a single, flat, oval panel. The paint surface is secure and under a thick,uneven and discoloured varnish. The impasto is well preserved. The paint surface looks and feels in sound condition under the thick varnish, though the latter impedes satisfactory inspection under UV light. Some old retouchings along the edges is present, where some old frame abrasion has occurred. Some very minor paint loss has occurred in the Baptist's hair. The painting is offered unframed and its tonality would greatly benefit from a new varnish.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The composition appears to be based upon the head and shoulders of St John in the larger canvas depicting Christ and St John the Baptist, in the Chiesa dei Gerolamini in Naples, although there are some differences, notably in the positioning of the hands and cross (see S. Pepper, Guido Reni, Oxford 1984, cat. no. 123, fig. 114).