- 53
Otto Marseus van Schrieck
Description
- Otto Marseus van Schrieck
- Nocturnal forest landscape with a thistle, chestnuts and mushrooms, a viper, three moths and a dragon-fly
signed lower right: Otho. Marseus./ van Schrieck;/ fec.
- oil on canvas
Provenance
In the collection of Gunderloch-Lange, Germany, for over 100 years.
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Born in Nijmegen, Marseus van Schrieck is thought to have been taught in Amsterdam, until he left in 1648 for a sequence of longer sojourns in England, France and Italy, where he is recorded in Rome in 1652 as a member of the city's 'Schildersbent'. In circa 1657 he returned to the Netherlands accompanied by his talented pupil Willem van Aelst (1627-after 1687), where he established his 'Waterrijck' on the farm grounds near Amsterdam, a 'watery domain', where he cultivated and studied plants and insects.1 It is for these undergrowth scenes depicting flora, moss and fungi, with reptiles, snails, butterflies and other insects in their natural habitat that he became most renowned.
This painting demonstrates a particularly ingenious aspect of his delicate technique: rather than painting the patterns of butterfly wings by hand, Marseus sometimes pressed the actual wings into the prepared surface so that their fine powdery patterns were transferred onto it. The body and any imperfections were then with meticulous detail filled in with the brush.2
1. A. van der Willigen and F.G. Meijer, A Dictionary of Dutch and Flemish Still-life Painters Working in Oils, 1525-1725, Leiden 2003, 139.
2. W. Breazeale, 'Nature and a New Drawing by Otto Marseus van Schrieck', in Master Drawings, vol. XLV, no. 4, 2007, pp. 527-33.