Attributed to Bartolomeo Passarotti

Possibly Martelli Collection (a loss in the middle of the top margin precludes the reading of what appears to be a Martelli numbering); Ed. Schultze on the backing sheet (L.906);
sale, Munich, Hugo Helbing, 27-29 April 1904, lot 705 (from a pencil annotation on the mount);
Leipzig, Wolfgang Goetz (pencil annotation on the mount)

Laid down, a small, almost square, loss at the centre top and a few, tiny, others at the top, possibly from silverfish. Tiny loss at the bottom and right edge. A defect in the paper creating a round line lower left . Some studio stains in the leg, right arm, under the nose of the figure and a small reddish one just over the right leg. Some surface dirt particularly towards the edges. Remains of a pink/red framing line all around the edge of the drawing. Figure strong and pen and ink still fresh.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Passarotti is documented as being in Rome on 12 June 1551, when he was reported for an argument with a certain Agostino Gambara.  This substantiates Vincenzo Borghini's claim that Pasarotti stayed in Rome early in his career.  The style of this drawing certainly shows a strong influence of Raphael, together with a powerful approach to proportion reminiscent of Michelangelo's Sistine Chapel.  Another drawing by Passarotti which is also highly influenced by Raphael is a Massacre of the Innocents, in the Uffizi, Florence.